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| Born: |
c. 1954 |
| Deceased: |
c. 1998 |
| People: |
Anmatyerre |
| Language: |
Luritja |
| Area: |
Haasts Bluff |
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Born
at Haasts Bluff in the mid '50s, his mother was an Anmatyerre woman
from Napperby and his father Warlpiri. Barney Daniels Tjungurrayi
received some European schooling at Mungana, a settlement about five
miles out of Alice Springs.
The snake, blue tongued lizard, Bush Fire, Centipede, Witchetty Grub
and Bush Tucker Dreamings are the totems handed down to Barney from
his fathers, Tjapaltjarri. Passed down over the generations from father
to son this provides a direct link to his Dreamtime ancestors.
Barney Daniels Tjungurrayi is a prolific and highly creative artist.
A member of the Lurtja people, his early life was spent learning traditional
ways of survival, law and ceremony. He began to paint in the mid 80's
and he describes himself as self taught. Barney is exceptionally innovative
with colour and the creation of atmospheric moods.
The stippled brushwork of the background often sets the mood
of the painting which invariably lays the groundwork for the recurring
theme of the cycle of life, death and regeneration.
He has had Solo And Group exhibitions in many Galleries both
in Australia and overseas. For example, Dot and Circle
Royal Melbourne Institute of Technology 1985, Art Dock
Noumea New Caledonia 1990, and Tjukurrpa Museum fur Volkerkunde
Basel 1992. He is included in a number of collections: The Ganguin
Museum, Flinders University Art Museum, Longbeach Museum California,
Malcom Forbes Collection New York, The Holmes a Court Collection,
Artbank Sydney, Jinta Desert Art Gallery Sydney, Aboriginal Desert
Art Gallery Alice Springs, Aboriginal Art Galleries of Australia Melbourne.
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